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A free guide to eight formats: what each one does for acquisition, retention and your email list, and who kept the audience when brands used them.
Most brands choose content by what's getting attention or what a competitor just did. It works better to start with the number you need to move, because no single format moves all three:
Reaching new customers without paying more for each one
Giving existing customers a reason to come back
Building an email list you can reach without paying a platform
The guide covers eight branded entertainment formats, from creator series and microdramas to podcasts and live events. For each one, it shows where it's strong, where it falls short, and whether the brand came away with an audience it owns or one it rented.
You'll also get The Branded Entertainment Brief on Tuesday mornings.
What's inside
Creator series: fast reach on borrowed trust. The audience stays with the creator unless the brand gives the series a home of its own.
Microdrama: viewers come back every episode. So far, the platform keeps them.
Podcast: listeners give a show twenty minutes at a time, but Spotify and Apple keep the subscriber list.
Documentary and long-form film: says what a brand stands for at a length no ad allows. A streamer lends reach, and the brand's own site keeps the viewer.
Live event: one of the formats least likely to leave the brand renting, when the ticket runs through its app or loyalty program.
Challenge, contest or sweepstakes: captures leads, but only when entries run through the brand's own site.
Newsletter and editorial: the format most likely to end with an audience the brand owns, but weak on first reach.
Influencer seeding: quick social proof, with little for retention unless there's a follow-on experience.

I'm Jeff Hallstead. I spent 20 years in media developing advanced TV products and platforms and in DTC, where I launched my own content platforms. Now I write for brand leaders deciding whether to keep renting their audience or build one of their own.